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備注：已完結(jié)
類型：劇情片
主演：Patricia Charbonneau Helen Shaver
導(dǎo)演：唐娜·戴奇
語言：英語
年代：未知
簡介： 影片根據(jù)加拿大作家Jane Rule創(chuàng)作的小說“Desert of the Heart”改編而成，背景設(shè)置于美國許多地方不允許離婚的1950年代。主人公之一是35歲的英文教授薇薇安，她為了離婚來到法律相對寬容的內(nèi)華達(dá)州雷諾市，暫住在一間農(nóng)場為離婚官司和流程做準(zhǔn)備。嚴(yán)肅的薇薇安因此結(jié)識了農(nóng)場主弗蘭西絲的繼女凱伊，凱伊比她年輕10歲，平時在賭場打工，是一個對取向不做掩飾的活潑女性。盡管薇薇安意識到自己被凱伊所吸引，她還是對開始這段關(guān)系有所顧慮，不確定自己是否做好了和同性在一起的準(zhǔn)備。與此同時，被繼母弗蘭西絲依賴著的凱伊則意識到：薇薇安就是她等待已久的命中注定之人。1985年，成本僅35萬美元的《愛的甘露》正式公映，成為了第一部大規(guī)模公映的女同愛情長片，它的美好、幽默和對女性情欲的坦蕩表達(dá)不僅征服了無數(shù)觀眾的心，也讓很多人意識到兩個女性的愛是可能的，而且并不總以悲劇結(jié)尾。這部叫好又叫座的先鋒作為日后涌現(xiàn)的更多女同作品鋪平了道路。
備注：已完結(jié)
類型：劇情片
導(dǎo)演：約翰·福特
語言：英語
年代：未知
簡介： 約翰·福特導(dǎo)演早期作品，此時還在使用杰克·福特作為導(dǎo)演名，盡管福特曾拍攝過六十多部默片，但如今大多數(shù)都已遺失，本片是少數(shù)存留下來的幾部之一，講述了一個非常簡單的西部小鎮(zhèn)故事，故事主角比姆（Buck Jones）是一個流浪漢，某天他偶然認(rèn)識了同樣是流浪漢的男孩比爾（Georgie Stone），兩人成為了親密無間的好朋友。比姆一直暗戀著學(xué)校老師瑪麗·布魯斯（Helen Ferguson），然而她已經(jīng)有男友哈維·卡希爾（William Buckley），再加上自己流浪漢的身份，他平常只敢遠(yuǎn)遠(yuǎn)地望著她。為了更好地照顧比爾，比姆打算尋找工作，卻被雇主出了一個十分刁難的要求，比爾為了幫助比姆不幸摔傷，比姆在傷心之余又發(fā)現(xiàn)自己暗戀的瑪麗也陷入了大麻煩。
備注：已完結(jié)
類型：劇情片
主演：朗·穆迪 姍妮·沃利斯 奧列佛·里德 哈里·塞科姆 馬克·萊斯特 杰克
導(dǎo)演：卡羅爾·里德
語言：英語
年代：未知
簡介： 奧利弗（馬克·萊斯特 Mark Lester 飾）是一名孤兒，從小在教會中長大。九歲時，奧利弗被派遣到工廠做工，之后又來到殯儀館成為了學(xué)徒。奧利弗的聰慧和機(jī)敏讓他很快就在殯儀館里站穩(wěn)了腳跟，但與此同時，他亦遭到了同伴們的妒忌，他們故意挑釁激怒奧利弗，最終奧利弗離開了殯儀館。 無家可歸的奧利弗過起了四處流浪的生活，經(jīng)過漫長的旅途，他來到了倫敦。一個名叫道奇（杰克·瓦爾德 Jack Wild 飾）的扒手將奧利弗帶到了匪首費(fèi)金（朗·穆迪 Ron Moody 飾）的面前，就這樣，奧利弗成為了他們中的一員。一次意外中，奧利弗被警察逮捕了，但隨后，他被證實(shí)是無辜的，當(dāng)事人布朗羅先生（Joseph O'Conor 飾）對奧利弗感到十分愧疚，于是收留了他，奧利弗的生活能夠從此走上正軌嗎？
備注：已完結(jié)
類型：恐怖片
主演：Fanny Rosen Johanna Smitz Peter Hal
導(dǎo)演：Brian Babarik
語言：英語
年代：未知
簡介： 在與父母爭吵后，少女點(diǎn)開了一封神秘的電子郵件，但這封郵件所傳遞的信息卻感染了整個家庭。
備注：已完結(jié)
類型：劇情片
主演：利塞爾·馬修斯 伊蓮諾·布羅 利亞姆·坎寧安 拉絲蒂·休默 阿瑟·馬利
導(dǎo)演：阿方索·卡隆
語言：英語
年代：未知
簡介： 富有的克魯上校和她的女兒薩拉（利塞爾?馬修斯 Liesel Matthews 飾）在印度度過了一段幸福美好的時光。直到戰(zhàn)爭爆發(fā)，因?yàn)樗_拉的母親在她出生的時候就去世了，上戰(zhàn)場前，克魯上校不得不把薩拉送到了紐約著名的米切恩女子學(xué)校，將女兒委托給了米切恩夫人代為照顧，并留下了一筆不菲的報(bào)酬，以便自己走后女兒生活無憂。米切恩夫人看在這筆豐厚酬勞的面子上，給薩拉安排了最大最好的房間，即使是在違背校規(guī)的情況下也默許薩拉帶著母親留給她的項(xiàng)鏈。天真活潑的薩拉總是有一些奇思妙想的小故事，讓她很快和其他孩子融洽的相處起來。在大家的簇?fù)硐?，薩拉儼然過著小公主一般的生活。但天有不測風(fēng)云，就在她生日那天，前線卻突然傳來了她父親陣亡的消息，薩拉成了孤兒，米切恩夫人開始暴露出她貪婪勢利的本性，薩拉的生活軌跡開始發(fā)生變化… 本片改編自弗朗西斯?霍奇森?伯內(nèi)特同名小說《小公主》。
備注：已完結(jié)
類型：愛情片
主演：弗雷德里克·馬奇 伊夫琳·維納布爾 蓋伊·斯坦丁 凱瑟琳·亞歷山大 吉
導(dǎo)演：米切爾·萊森
語言：英語
年代：未知
簡介： Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained. [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration. To see what’s behind all the conversation about love, the suave but na?ve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming. More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching. (Howard Schumann, talkingpix.co.uk) In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it. (Dennis Schwartz, homepages.sover.net) I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts. (Dave Sindelar, scifilm.org) See also the remake: Death Takes A Holiday (1971)
