備注：已完結(jié)
類型：劇情片
主演：施特法妮·施塔彭貝克 馬庫斯·米特梅爾 讓-伊夫·貝特魯 Fiona
語言：德語
年代：未知
簡介： 圣誕節(jié)的家庭聚會上，年輕情侶斯特凡和?？葡蚋改感妓麄冑徺I了一艘船，決定環(huán)游世界。他們一路歡聲笑語，領(lǐng)略各地風光。然而當他們來到玻里尼西亞后，美好的一切戛然而止。斯特凡跟隨一位名叫阿里哈諾的當?shù)啬腥酸鳙C未歸。?？茝陌⒗锕Z口中得知愛人受傷，匆忙隨他前去，結(jié)果險些被他奸殺。逃出生天的海科求助警方尋找斯特凡。警方在多日調(diào)查后發(fā)現(xiàn)斯特凡已被肢解后焚燒，而阿里哈諾不見蹤跡。看到愛人已被燒成一片灰燼的?？菩耐床灰?，決定不再繼續(xù)航行。剛剛回到家中的她便被鋪天蓋地的記者包圍，眾人都希望獲悉斯特凡死亡真相。在母親和姐姐的陪伴下，海科試著撫平心中的創(chuàng)傷，并且決定接受漢堡新聞記者哈特曼的采訪道出真相。這時，玻里尼西亞的警官也為海科帶來好消息，阿里哈諾被捕。在哈特曼的陪同下，?？埔姷搅顺聊徽Z也拒不認罪的阿里哈諾。但證據(jù)確鑿，哈里哈諾被判28年有期徒刑。阿里哈諾的父親為表歉意，邀請?？茀⒓訉ｉT為斯特凡舉行的告別儀式。?？茮Q定暫時留在玻里尼西亞緬懷愛人。后來，她帶著自己寫下的書《藍水-天堂夢魘》回到德國。@m.yakutv.cc
備注：已完結(jié)
類型：劇情片
主演：羅內(nèi)特·艾爾卡貝茲 西蒙·阿布卡瑞安 Shmil Ben Ari 亞伯
語言：其它
年代：未知
簡介： 在以色列并不存在民事婚姻與民事離婚，所有的結(jié)婚與離婚必須在猶太教拉比的裁決下才能成為“合法”，然而丈夫一方的權(quán)利往往凌駕于第三方的裁決人之上?！对V訟》正是在這樣背景下所講述的故事?！ 」适碌闹魅斯鞭卑病ぐ⒛匪_勒姆自三年前已經(jīng)提出結(jié)婚，然而她的丈夫伊萊莎并不同意。即使伊萊莎強硬地不肯妥協(xié)，薇薇安已經(jīng)下定決心要爭取自己的自由，然而宗教裁決人的態(tài)度卻是曖昧不清。在三方拉鋸的過程中，一幕幕悲劇與荒謬不斷上演。
備注：已完結(jié)
類型：劇情片
主演：伊夫林·布洛初 露易絲·波特 吉爾伯特·思柯特 Augustin Le
導演：Sophie Deraspe Ginette Lavigne
語言：法語
年代：未知
簡介：Elie, a young woman from the city, has come to a remote North Atlantic island. It's the spring thaw, and she is here to convalesce and get to know the community. The annual seal hunt is in full swing, and Elie feels both drawn to and repelled by the men engaged in it. In this isolated world, people's lives and deaths are shaped by the brute forces of nature. Elie's presence arouses curiosity and mistrust. Maria, the village matriarch and den mother, seeks to uncover the secret reason behing Elie's visit. Wolves explores the profound need for belonging.
備注：已完結(jié)
類型：劇情片
主演：萊昂納多·迪卡普里奧 凱特·布蘭切特 凱特·貝金賽爾 約翰·C·賴利
導演：馬丁·斯科塞斯
語言：英語
年代：未知
簡介： 本片依據(jù)Howard Hughes的生平改編?！ oward Hughes（Leonardo DiCaprio 飾）出生于美國德州休士頓，18歲時，他繼承父親德州油井的財富，心懷電影夢想移居好萊塢。1926年他買入125家戲院的控制權(quán)，砸下數(shù)百萬美金拍了實景空戰(zhàn)史詩電影《地獄天使》，成為著名的制片人；1939年，他入主環(huán)球航空公司，他迅速使公司扭虧為盈，二戰(zhàn)期間與美國軍方合作，主持了藍云杉飛機的發(fā)明和改進?！ oward Hughes在事業(yè)上取得巨大成功的同時，他也飽受了憂郁癥和精神官能強迫癥的折磨；他的感情生活波折重重，Katharine Hepburn（Cate Blanchett 飾）、Ava Gardner（Kate Beckinsale 飾）先后離開他，讓他備受打擊。 影片選取Howard Hughes重要的生活事件，真實地再現(xiàn)了他的傳奇。
備注：已完結(jié)
類型：愛情片
主演：朱麗葉·比諾什 丹尼爾·奧特伊 埃米爾·庫斯圖里卡 米歇爾·迪紹蘇瓦
導演：帕特里斯·勒孔特
語言：法語
年代：未知
簡介： 1850年，一個遙遠的法屬小島發(fā)生了一樁命案，醉了酒的漁夫（埃米爾·庫斯圖里卡 Emir Kusturica飾）犯下殺人罪，被判以極刑。然而這里山高皇帝遠，沒有鍘刀之類的行刑工具，于是島上的官員們求助于法國本部，讓他們千里迢迢運來斷頭臺?！ ≡谶@個等待的時間里，博愛善良的上尉夫人（朱麗葉·比諾什 Juliette Binoche飾）相信漁夫是一個本質(zhì)不壞的人。她自從跟隨丈夫來到這個荒涼的小島之后，就一直料理著花園。如今她讓漁夫幫她修整花園，干各種瑣碎的家務活。漁夫和上尉夫人一同行善，還得到了居民的歡迎。上尉（丹尼爾·奧德耶 Daniel Auteuil飾）知道兩人相處得日漸融洽，甚至萌生愛意，但出于對妻子無私的愛，他只是默默選擇讓妻子得到快樂?！ ∪兆訚u漸過去，斷頭臺終于送到。上尉、上尉夫人和漁夫，也迎來了各人命運的轉(zhuǎn)折。
備注：已完結(jié)
類型：劇情片
主演：阿蘭·德龍 布爾維爾 吉安·馬里亞·沃隆特 伊夫·蒙當 保羅·克羅謝
導演：讓-皮埃爾·梅爾維爾
語言：法語
年代：未知
簡介： 由馬迪警督押送的嫌疑犯威高（吉昂?馬利亞?沃隆特 Gian Maria Volonté 飾）從火車上逃跑，馬迪馬上聯(lián)絡(luò)總部在各處設(shè)置路障，并且出動警力大力搜捕威高?？评铮ò⑻m?德龍 Alain Delon 飾）提前從監(jiān)獄里被釋放，當晚找到了昔日舊友里克敲詐得到了錢和槍，隨后買了車離開此地。威高死里逃生巧合之下躲進了科里的后備箱里?？评锝?jīng)過路障檢查時幫助威高蒙混過關(guān)，兩人就此結(jié)識。他們途中被劫匪搶劫，兩人相互配合殺死了劫匪。馬迪警官判斷威高逃跑會投靠酒吧店主桑提，于是找到桑提要求他當線人并提供線索，桑提拒絕后被拘留。而此時威高和科里找到了被革職的警察簡森（伊夫?蒙當 Yves Montand 飾），三人合謀計劃一次珠寶搶劫案……
備注：已完結(jié)
類型：大陸劇
主演：Tatyana Ostap Aleksandra Teryaeva 阿
語言：國語
年代：未知
簡介： 1941年衛(wèi)國戰(zhàn)爭爆發(fā)，蘇聯(lián)人民和軍隊在經(jīng)過戰(zhàn)爭最初的恐懼和慌亂，經(jīng)過冰天雪地的莫斯科保衛(wèi)戰(zhàn)之后，戰(zhàn)場上出現(xiàn)了暫時的沉寂，然而局部的戰(zhàn)斗仍時有發(fā)生。當時，俄羅斯大地已進入到春季的泥濘期，戰(zhàn)車無法正常運轉(zhuǎn)，德國侵略軍被迫停止了大規(guī)模的戰(zhàn)役，蘇德雙方都轉(zhuǎn)入軍事防御期。本劇所講述的故事就是在這樣的歷史大背景下發(fā)生的。1942年夏天，一個代號為“171會讓站”的村子。這天。駐守會讓站的軍運指揮員瓦斯科夫準尉迎來了一批充滿青春活力的女高射炮手……
備注：已完結(jié)
類型：愛情片
主演：弗雷德里克·馬奇 伊夫琳·維納布爾 蓋伊·斯坦丁 凱瑟琳·亞歷山大 吉
導演：米切爾·萊森
語言：英語
年代：未知
簡介： Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained. [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration. To see what’s behind all the conversation about love, the suave but na?ve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming. More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching. (Howard Schumann, talkingpix.co.uk) In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it. (Dennis Schwartz, homepages.sover.net) I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts. (Dave Sindelar, scifilm.org) See also the remake: Death Takes A Holiday (1971)
